Weight Loss Stories On Ww For Over 60 Years Old Home Plan Design – Design Harmony and Proportion

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Home Plan Design – Design Harmony and Proportion

This article is meant to be a reference toolbox for good home plan design and layout. A poet prefers to work in the future. The author, a custom home designer, says that there is a place in home design plans for the old Western ideas of unity, unity, order, size, and even Classicism.

Importantly, almost all of these methods and concepts related to architectural building plans have been discussed in the literature and in other important places in public or very important buildings – churches, mosques, big bank buildings, and the like – it’s hard to design a home.

The author has begun to apply some very old ideas of design to some very modern buildings with success and surprise.

AN ANNOUNCEMENT

There are many publications in the field of architectural design and Classical design. Most of it is not very good – clinical math, nautilus shells and phyllotaxis, uncertainty of shape, size, etc.

According to the author, these works are some of the better ones:

1. Head, Weight: Architectural Principles in the Age of Humanism by Rudolf Wittkower, WW Norton & Company, 1971.

2. The intellectually stimulating and well-written The Golden Ratio: The Story of Phi, The World’s Most Mysterious Number by Mario Livio, Broadway Books, 2002.

3. The master exposition of Orders, their creation and re-creation in The Classical Language of Architecture by John Summerson, The MIT Press, 1962.

4. For methods and materials, Traditional Building Models: Design & Detailing Rules of Thumb by Stephen Mouzon et al., McGraw-Hill. 2005.

5. Thinkers, The Old Way of Seeing: How Architecture Lost Its Magic (How to Get It Back) by Jonathan Hale, Houghton Mifflin, 1994.

6. The scope [but not over-reaching, not hardly]He Tauira Reo: Towns, Building, Construction by C. Alexander et al., Oxford University Press, 1977 and its companion The Timeless Way of Building by Christopher Alexander, Oxford University Press, 1979.

INTELLECTUAL PROCESSING IS INTENDED

For ratios and ratios only, here are the ones the author likes right now, mostly for ease of reference:

1. The Golden Mean, Golden Section, or Golden Ratio, Mark Barr’s Ratio of Pheidias (a/k/a Phidias), or phi.

2. Lambda in Plato’s Timaeus and 5 and 7.

3. Regulating lines (ou traces regulators à la Auguste Choisy et Le Corbusier)

In fact, this refers to balance, rhythm, symmetry, and the kind of schema from idiosyncratic rock to solid rock.

VIEW

For perspective, “Mathematical laws that apply to reality are uncertain; to be certain, they do not speak to reality.” Sidelight on Relativity by A. Einstein, translated by GB Jeffery and W. Perret, London, 1922.

The correct use of these measurements for the time being for the writer is mainly related to – a) positive integers from 1-9 only, b) with Phi and phi, c) most commonly found and most symmetrical lines of connection.

EXECUTIVE PROCESSES

Commentary: The proper use of these constructions is to associate these numerical values ​​with physical relationships –

1. All, positive integers from 1-9

2. Plus Phi and Phi

3. Usually found with most symmetrical lines of connection

4. The Fibonacci sequence in terms of progression

Commentary: In this designer’s opinion, almost anywhere you can get here and the economy is organized using a matrix related to 1-9 by 1-9, keep it simple. You know, 1:1, 1:2. . . 9:8, 9:9. This architect has also rested on Phi=1.618, phi=0.618, and early entries in the Fibonacci sequence 0, 0, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, . .. Vesica The piscis, the equinoxes, the dodecahedrons, etc. are now worth more.

Commentary: The law (not by this author, but he does not remember whose idea this first came from, and he thinks that, whether the first man spoke in churches or something like that centuries ago, is it’s better to talk about building design than building more): usually with a ratio between 4:3 and 7:1 as a range of visible size distribution.

Comment: If you’re just looking for numerical relationships, consider yourself: “online music theory: pitch, temperament, & timbre; lesson 27” by Brian Blood, http://www.dolmetsch .com/musictheory27.htm , supports (among others) Julien Guadet’s idea, “Les proportions, c’est l’infini.” Eléments et théorie de l’architecture by J. Guadet, Four volumes, first ed. 1901-1904, fourth ed. 1915, Vol. me, p. 138 ff.

Creating a home design within the framework of size, the author finds –

1. It’s easier to start writing with a serious idea as a design concept than to try to position it later.

2. The complex can cancel the order or leave it in place when the values ​​increase beyond the 9 selected integers and 2 of the selected odd ones, a/k/a good design is not slavish, nor is it sloppy or stupid. .

3. These things make you crazy. Be good.

4. There is a capacity for momentum, a need in which similar opportunities can present themselves in a variety and pattern.

5. A meaningful boundary for internal structures arises that can be controlled.

6. There is no escape from the community’s indifference to these issues when the client requests that the project involve areas of bad design decisions sometimes like the Joneses, for example, exterior windows, the tapes of the chamois, asymmetrical pieces, fitted and trimmed. , etc. [a point which is mirrored in client or community insistence in ignorant or insensitive departure from well-expressed style], a/k/a given, the horse will not drink; you drew the water.

7. Whimsy has a good story now and then. Art or creativity; a little difference is a good thing.

8. Don’t ever tell yourself that those before you are tired of the architectural design process. Your barren ignorance shows. Even the tradesmen of the workplace did not long before their time fully understand the sacred aspects and the Classical style. [would that you are doubtful, sit down sometime with the photographed front elevation of a fine example of some well-know residential architectural style of, say, the late 19th century, and layout that elevation using a basic knowledge of harmonious design and the parts fit over and over and over again]designers and manufacturers are at the end of thousands of years of work, work, work and respect, respect, respect for the craft.

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