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History of ZZ Top

Like the state of Texas, where they are from, ZZ Top it combines the original nature of the countryside with the urban style in the form of a perfect fusion between provincial rock’n’roll and high technology.

In the late 1980s, Forbes magazine published a list of the most famous names in the world of entertainment and the highest incomes in the world, and only one rock group, U2, was at the top. ZZ Top was among the top earners. However, they have managed to distance themselves from the rock’n’roll high society circus, and remain immune to the “rock messiah” syndrome that plagues other artists of their ilk. For nearly thirty years they have traveled all over the world with their travels, although they have never left their base in southern North America for a long time, and the description that one has made of when they started, “the old band from Texas.”, even today they are like a club.

Billy Gibbons, a graphic arts student, began playing guitar in The Moving Sidewalks, a psychedelic “garage” group from the 1960s whose first single, “99th Floor,” topped the charts. Texas’ streak lasted five weeks in 1967. Dust Dust a Frank Beard, this time, came out of the American Blues, a Dallas group known more for its members wearing their hair dyed blue than anything else. The trio met in 1970 and the contract they sealed has stood the test of time and is very solid. With the exception of the brief contribution of a foreigner’s guitar playing on one of his first albums, the three men have given themselves the final and final track of what they put into it. album, although they have also had the chance to learn to play the saxophone, to play a part of the three metals, as in some of the songs on their Degüello album. They have never enriched their live performances with other musicians, nor have they recorded or played with other bands.

Their manager and producer from day one was Bill Ham, a no-nonsense Texan with a management style very similar to Led Zeppelin’s first manager, Peter Grant. Ham kept ZZ Top off television throughout the 1970s, preferring the band’s live shows to other methods that would have led to more success. Although these principles are hard to grasp, the truth is that the group’s foundations were not broken until 1976, when the Taking Texas to the People tour took place, a feat that took a long time to get on the road. . with all their outdoor gear and a large animal (a cow, a buffalo weighing 2,000 pounds, half a dozen birds, two snakes six feet each, a pig and a wolf). Their hatred of television eased in the eighties, when they became MTV independent stars thanks to a trio of Tim Newman videos for the tracks “Gimme All Your Lovin'”, “Sharp Dressed Man” and “Legs”, all. was included on his 1983 breakthrough album, Eliminator.

Since the 1980s, ZZ Top has been the band most focused on the market, rock’n’roll, which still trades with youth money. Due to the stability, no doubt, the style that Gibbons and Hill envisioned for the group as their members approach their thirties, is a style that is the most popular. long beards are not fashionable since the age. Old Testament times. This strategy has worried them ever since, because if they don’t gain a lot of weight, they won’t look twenty years older than they do now.

Given the large number of works published by this group throughout its history, the most relevant ones will be mentioned. The first was a 1973 LP titled Tres hombres, which peaked at number three in his career at the time. Some consider it the best album of his career. The album’s opening tracks, “Waitin’ for the Bus” and “Jesus Just Left Chicago,” two of the greatest opening salvoes of all time, and “Route 66,” from the debut album by Rolling Stones, and ” Whole Lotta Love” by Led Zeppelin II. In fact, the two songs are inseparable and are important in a set of topics that hit directly on the 1991 tour, Recycler. a minor success in the United States, with “Precious and Grace” and the surrealist “Master of Sparks”, decorated with Texan folklore. Although Tres Hombres reached number eight in the US charts, it was never recorded in English and is one of the most popular albums in rock history.

Another great work of ZZ Top is Degüello, published in 1979. It is a new collection of brilliant style, which explains, among other things, the excellent power of the seeds of the Gibbons guitar. It oscillates between the perfect Fender sound of “A Fool for Your Socks” and the Marshall sound of “Small Glasses”. Half a decade before Michael Jackson and LL Cool J entered the scene, ZZ Top showed a familiarity with street music in “I’m Bad, I’m Nationwide.” The band’s passion for auto racing is also evident in one of the true fantasy lyrics, “Manic Mechanic,” which Gibbons sings as if he’s speaking through a broken megaphone. Amazing versions of “I’m Gonna Miss You”, by Isaac Hayes, and “Dust My Broom”, by Elmore James, round out a great composition.

When someone asked Gibbons what a guitarist should do to improve his technique, his answer was to go out and buy an album called The Sound of the Drags (a record containing the special sound of car racing), I wear everything warm. the news has been released. The success of Eliminator, the album released in 1983, is based on the ability to capture that “warm feeling”; Most importantly, the LP has become part of rock’n’roll history, with cars, girls, videos and tens of millions of copies sold. The trick they found was simple, but very effective. They made the guitar sound, made the choirs more interesting and eliminated the human form of mourning. In contrast to what can be found on the heavy rock album, “Gimme All Your Lovin,” “Got Me Under Pressure,” “Sharp Dressed Man,” “Legs,” “Dirty Dog,” and “If You Could I have the collar down” and it is kept only on the original battery pulse.

In addition to Afterburner (1985), which reached number two in the United Kingdom, it is necessary to mention two compilation albums of the group: The Best of ZZ Top (1977) and Greatest Hits (1992), collections that only two projects, “Tush”and”La Grange”, speak well of the group’s creativity. The Best of ZZ Top collects a great selection of the band’s work up until 1977, with a special focus on Tres Hombres (four songs out of ten). Greatest Hits, released to single charts for its version of the song “Viva Las Vegas”, shows the new and commercial face of ZZ Top. “Stages”) and other highly questionable entries (“Gun Love”, “Give It Up”) are, some say, a summary of low confidence.

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